|
 |
 |
|
 |
The Cholla Sans typeface creation began in 1998. The name is based on a common cactus that grows in the Mojave' Desert. The typeface has varied styles and weights yet retains a unified feel throughout. It recently won an honorable mention in I.D. Magazine and was featured in Eye No. 31. |
 |
 |
 |
|
 |
Mrs. Eaves is named after John Baskerville's wife as a commemoration to the ever poopular Baskerville typeface. The typeface holds many of its predecessors qualties including readibility and open counter spaces. However, Mrs. Eaves relies on sharp contrast and a slightly smaller x-height to attract a reader's eye. The letter shape has been widened to compensate for the thinner stems and hairlines. |  |
 |
 |
|
 |
Priori is the child of another popular, yet somewhat aged, typeface. Mason, also designed by barnbrook, was no more than a display font. Priori acheives a well designed diplay font, as well as, the capability to reduce to a heading type or something similar. The typeface includes many different alternates, including serif, sans serif, and lower case. |  |
 |
 |
|
 |
Tribute is the brain child of famous type designer Frank Heine. Heine has released fonts over the years through Emigre' which have become instant successes. Tribute is an inspiration of a photocopy of a type specimen printed around 1565. Tribute brings back the formal elements of Renaissance Antiqua. |  |
 |
 |
|
 |
Vista Sans was an idea created from seeing many signs in Sumatra which have irregular shaped serifs and maintain a hand-crafted effect. Dupre' was able to integrate many formal elements that allowed the typeface to be used for general application, as well, as, dynamic headings. |  |
 |
 |
